For COLLECTIBLE New York 2025, Concordia Studio presents Inventario, debuting a limited-edition collection by Venezuelan designer Maria Laura Camejo, at Booth B31, September 3rd–7th.
Objects carry the weight of memory. Rooted in the domestic archetypes of her childhood home: a trunk, a rocking chair, a room divider, each piece reimagines familiar wooden forms in metal, reframing them as embodiments of both preservation and change. This material shift mirrors the migration experience: the hardness of distance against the warmth of memory. Inventario engages with the way home evolves when it exists across time and geography.
Curated by Martin Isaza and Danielle Juliao, in collaboration with producer Marines Soria, this presentation invites viewers to consider how heritage and experimentation can coexist.
Objects carry the weight of memory. Rooted in the domestic archetypes of her childhood home: a trunk, a rocking chair, a room divider, each piece reimagines familiar wooden forms in metal, reframing them as embodiments of both preservation and change. This material shift mirrors the migration experience: the hardness of distance against the warmth of memory. Inventario engages with the way home evolves when it exists across time and geography.
Curated by Martin Isaza and Danielle Juliao, in collaboration with producer Marines Soria, this presentation invites viewers to consider how heritage and experimentation can coexist.
María Laura Camejo (b. 1995) is a Venezuelan designer based in Mexico City. She studied Product Design at Parsons The New School for Design in New York (2014–2018) with an emphasis on furniture.
Her practice is deeply shaped by the experience of migration and the Venezuelan diaspora, carrying the tension of evolving with her surroundings while safeguarding fragments of home that persist across time. Moving fluidly between furniture, interiors, and visual systems, her design practice embraces this duality. Each project exists between preservation and transformation, reflecting how migration reshapes memory while generating new forms of identity.
Her debut collection, Inventario (2025), reimagines furniture from her childhood home in Venezuela as limited-edition pieces.